Two strangers in distress arrive at a farmhouse in the wheatbelt late at night. A woman is there, on the veranda of the farmhouse, frightened, alone. She greets the interlopers with a series of questions.
What has brought these people together? What do they have in common? Why does a dried up river matter to all of them? These questions hang over the play. As the seemingly gentle story unfolds, we realise the depth of Tim Winton’s vision. The play tackles deep questions of identity, sustainability and community without ever offering easy answers.
Only loosely tethered to shore but never ready to set sail, Col, Baxter and Jackie are live-aboards in a Fremantle marina. Jackie occupies the old sloop Mercy, Col calls the sleek ocean-going yacht Goodness his home, and Baxter is sandwiched between the two in a run-down sailboat called Shirley.
Fortinbrasse is the tragedy of Hamlet’s mirror and foil, the Prince of Norway. It supplements the handful of references Shakespeare gives us in Hamlet with further details from his, sources together with my own speculation about the circumstances that eventually lead to Fortinbrasse’s bittersweet arrival at Elsinore at the end of Hamlet.
<em>Solstice</em> is a play in verse set over the twenty-four hours of the longest day of the year, in Adelaide, South Australia. It is a story of love and exploration told in sonnet form, one verse for each few minutes of the day. It shows how much can change in a day — the whole world, and at the same time nothing at all.